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- <text id=93TT0233>
- <title>
- July 26, 1993: How Necessary Is PBS?
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- July 26, 1993 The Flood Of '93
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- SPECTATOR, Page 75
- How Necessary Is PBS?
- </hdr>
- <body>
- <p>After 25 years, the mission seems muddled, the programs redundant
- </p>
- <p>By Kurt Andersen
- </p>
- <p> Because public television is blandly virtuous and soaks up smallish
- sums of tax money, almost no one but right-wing ideologues has
- ventured full-bore critiques. A 25th-anniversary report, put
- out last week by a task force of the usual Establishment suspects
- (Vartan Gregorian, Joe Califano, Tim Wirth and so on), provoked
- intriguing newspaper headlines (OVERHAUL PROPOSED, teased the
- Washington Post), but its reformist manifesto--the 351 local
- PBS stations should get less federal money, the central programming
- apparatus should get more--turned out to be tepid and intramural,
- a birthday wish list posing as tough-minded scrutiny.
- </p>
- <p> Understand: MacNeil/Lehrer is indeed splendid; Ken Burns should
- be funded in perpetuity; documentaries sympathetic to black
- homosexuals and skeptical of Republicans are just fine by me.
- I have raised money for the A.C.L.U., call myself a Unitarian
- and give dollar bills to almost every bum who asks; I have standing
- to question just how essential PBS is these days.
- </p>
- <p> When public TV was launched, there were only the three networks.
- You could watch Gomer Pyle or Land of the Giants or Lawrence
- Welk. Public TV was singular, glorious, redemptive. Today, of
- course, there is a democratic hurly-burly glut of cable and
- home video. Imagine if Americans had been presented in 1968
- with a referendum: either a single channel broadcasting a mix
- of news, documentaries, children's shows and performance, or
- else a dozen intermittently worthy channels, two with nothing
- but news, two with nothing but congressional sessions, one with
- nothing but kids' shows, several with music, two with nothing
- but science and nature programs, and so on. In other words,
- in a world of CNN, C-SPAN, A&E, the Discovery Channel, public
- TV begins to seem redundant. Charlie Rose, the 1990s' Dick Cavett,
- conducts thoughtful interviews with members of the cultural
- elite every night on PBS. But with the actual Cavett doing the
- same thing on CNBC, Rose (who last week interviewed Sarah Jessica
- Parker) may not be America's worthiest recipient of federal
- subsidies.
- </p>
- <p> If other channels are putting on what was once available only
- on public TV, public TV is increasingly putting on pop crud.
- Why is it so civilizing to underwrite broadcasts of Wall Street
- Week, Cary Grant movies, John Bradshaw new age lectures, the
- powerfully annoying Barney--or Lawrence Welk reruns, which
- are now shown on 77% of PBS stations. Chief PBS programmer Jennifer
- Lawson says, disingenuously, that the Welk shows are legitimate
- as "an alternative to violence and gratuitous sex on commercial
- television." Local stations find it's those shows at the not-exactly-Susan-Sontag
- end of things that inspire subscribers to send in money. But
- isn't that, to use a trope PBS devotees should appreciate, destroying
- the village in order to save it?
- </p>
- <p> The familiar debate over the ideological tilt of PBS's documentaries
- misses the real problem with such programming: just as conservatives
- loathe PBS shows that challenge their comfortable world view,
- the liberals responsible for PBS documentaries aren't much interested
- in discovering truths that might jostle their notions of truth
- and injustice. Neither side really wants let-the-chips-fall-where-they-may
- TV. Edge, an irreverent PBS magazine show, was canceled last
- year after airing just eight programs, and PBS declined a $5
- million grant to create unconventional 1992 election-year coverage.
- "Anything apart from the norm won't be allowed," says a senior
- public-affairs producer who recently left PBS. "They aren't
- really interested in innovation."
- </p>
- <p> Devoted viewers also crave the reassurance of the status quo.
- It's not just Rumpoles and films of elk that compel many PBS
- maniacs; rather, they like the sense of belonging to a tweedy
- club, of feeling urbane by virtue of the TV channel they watch.
- There are apparently fewer and fewer such people, however: between
- 1987 and 1992, public TV lost 22% of its prime-time audience,
- twice the decline of commercial networks.
- </p>
- <p> The remaining unassailable argument for public TV is, as Lawson
- says, that "it's free and universally available." Not every
- American can afford entry to the zillion-channel cable nirvana.
- But if universal access is now the compelling problem--and
- it will only get more acute--why not address it directly by
- subsidizing cable TV for poor people, a means-tested "cable
- stamps" program. After all, public TV began as a Great Society
- scheme, and Sesame Street was intended to uplift ghetto children.
- The opera shortage, on the other hand, may no longer be a crisis
- deserving federal attention.
- </p>
-
- </body>
- </article>
- </text>
-
-